Kickstarter for Indie Authors

Kickstarter for Indie Authors

A Kickstarter for my short stories set in the Steampunk Western “Brymlight” world is off and running and I have no idea how well it is doing!

Which is weird for me.

I have more than a passing acquaintance with Kickstarter having been involved on both sides of the platform though the /Games/Tabletop Games category.  I have seen the Tabletop Games category evolve from funding the development of games to an incredibly sophisticated marketing platform funding the production of games.  And with that, the expectations of what is included in your campaign is much higher: play through videos, review videos, completed rules, supporter avatars, demo of the game on online gaming platforms, etc.  There are also some norms around funding tiers, exclusives, and stretch goals that the community has debated endlessly in comments and seemingly reached a grudging consensus.

Using Kickstarter for funding an indie publishing project is forcing me to learn a whole new set of rules.  I think.  Still not sure.

Doing the compare and contrast in my head I am seeing similarities, but I also take caution in apply the lessons and expectations of the Tabletop Games category to the /Publishing/Fiction category.  Here are a few of them:

Funding Pace – Tabletop Games places a huge emphasis on funding in the first 24 hours.  It has also been my experience that most of the funding comes in the first 24-36 hours and the last 48 hours after the reminders go out.  So far, in Fiction, the pattern seems to be holding true: off to a quick start then flattening out.  Obviously, I am curious to see if that holds up throughout the campaign.  I have seen varying attempts, with varying level of success, at solving the mid-campaign lull in Tabletop Games and will be interested in whether that will be needed in Fiction.

Funding Goals – This is a *lot* different between Fiction and Tabletop Games, almost an order of magnitude.  Tabletop Games have a lot of upfront content, manufacturing, and shipping costs that just don’t apply to Fiction.  There are similarities, don’t get me wrong, but printing several thousand copies of a game and shipping them around the world is a lot different then sending an eBook, even that of a printed and bound copy of a book.  Tabletop Games updates about shipping including the name and tracking information of the container ship crossing the Pacific Ocean are not uncommon!

Funding Tiers/Stretch Goals – Tabletop Games offer a much broader range of options for adding tiers and stretch goals.  Upgrading card stock through multiple levels, including premium components, UV finishes, art books, added play modes, playmats, quick reference cards, etc.  Fiction?  So far the funding tiers that are most popular in the Brymlight campaign are eBook and paperback.  The other goodie tiers just don’t seem to be pulling in much attention.  Certainly, that could be a lot to do with the goodies themselves and the pricing… or just that the Fiction is more interested in just the goods, not the added goodies.

Regardless, I think leveraging Kickstarter for marketing and costs is still a great thing for indie authors and publishers, but I know I still have a lot to learn!

Brymlight Kickstarter is Live!

Brymlight Kickstarter is Live!

Kickstarter for 5 short stories in the Brymlight world is live and on its way!  Reward tiers to fit everyone’s pocketbook and reading style – yes, we have ebook *and* printed versions.  Higher tiers add some fun art options.  Premium tiers are there for someone interested in more unique experiences, like story dedication and livestreams.

Both Chris from LoreSmyth and I will be monitoring the comments and fielding questions throughout the campaign – come join the fun!

Voice and Editing

Voice and Editing

My first, introductory call with Paul (my editor) went great.  Total transparency here, I have never worked with an editor that would be taking a more technical look at my writing.  I have alpha readers, and I have greatly appreciated their feedback, but this feels like a whole other level for me.  In amongst geeking out on various things that we are, well… geeked about, we got to talking about writing and “voice.”

Before going any further – I have to say: I’m really excited about this project!  (bet you can’t tell)

One of the things we discussed was Voice and the use of colloquialisms. As an editor, this can make it hard for Paul to sort out whether I meant something to be grammatically incorrect as a colloquialism, or whether it’s just grammatically incorrect.

Stepping back for a second, its pretty cool looking at my writing through the eyes of someone else, an editor that is interested in preserving my writing style but also in cleaning up it and making it better.

We came up with a couple of basic rules (that I will also have to keep in mind as well!)
Grounders (lower social classes) generally walk on characters, will speak pretty heavily in slang and colloquialisms. Main characters, will be better spoken, but may slip into colloquialism when speaking with other grounders. Narrative voice will be the same. Highborn upper classes will be more formal.  I have read stories with slangy narrative voice and it just gets annoying pretty quickly.

Technical Plausibility

Technical Plausibility
One of the things I described to Paul (my editor) that I hope sets my writing apart from the usual steampunk is the plausibility of the technology.
The Brymlight stories rely on hydrogen as the source of energy – no crystals, alien substances, or other unexplainable magic. I tried to ground my writing in science and reality, if a bit stretched at times to make it work.
Hydrogen provides the lift that keeps the massive estates of the aristocracy afloat high above the plains of the American Colonies western frontier.  Ironically, those estates are both literally and figuratively tethered to the ground and their dependence on the lower classes that produces the hydrogen.
Production of the hydrogen is based on steam reforming, or steam methane reformation of natural gas.  One of the most common industrial approaches to manufacturing hydrogen and a number of other related products.  In the Brymlight world, the Whitley Hydro-Works is one of the largest producers of hydrogen, what our boffins are going to call “diprotium” and the more common term everyone else regularly uses: Brym.
Just for fun… steam reformation, in a deeper meaning, also refers to my break from the more traditional steampunk doctrine.

Tales from the Brymlight Observer

Tales from the Brymlight Observer

Official revival of my long neglected blog… because through happenstance, luck, karma, and long odds, I have stumbled into a small independent publisher who would like to publish my steampunk stories!!!

Where we stand right now:

  • We have settled on the “Tales from the Brymlight Observer” to be the umbrella name for the stories that are set in the steampunk world that you will see referenced through earlier blog posts as the setting for the West Wind and Due West.  The Brymlight Observer is an underground subversive newspaper that is proudly “Shining the Light on the Truth.”
  • Five short stories that are publish ready (they were originally submitted to various horror and other short story anthologies) are being edited by Paul.  My editor.  Paul.  Yes, my *editor* (sorry, still trying to get used to this!)  One of the five, Forgotten Memories, was previously published in a ghost hunting anthology the subject of other posts here.  A second was accepted, but the publisher ultimately did not release the anthology.  All of the short stories will be receiving new titles and cover art.
  • A kickstarter is in the works that will be publishing the five short stories in eBook format, a printed anthology, and some other goodies.  This is to help build awareness around publishing of the West Wind, which will also be receiving a new name and cover art.  A webpage has been setup that will be the home of the Brymlight Observer that includes an email sign-up if you want to keep up to date on the kickstarter and other goings ons: www.brymlight.com

Hunting Ghosts: Thrilling Tales of Paranormal Investigation

I am excited to announce that my short story: Forgotten Memories will be included in “Hunting Ghosts: Thrilling Tales of Paranormal Investigation!”

As the title of the anthology would imply, it is a ghost hunting story and it is set in the Steampunk Western world introduced in “The West Wind” and its sequel-in-progress “Due West.”

For all my Friends on Facebook – head over to Hunting Ghosts Facebook page and give it a “Like.”  You will also find the full table of contents and excerpts from the stories being posted.  More to come!